High powered societies had more harmony because they held healthy hearts, heaping harvest in high fruition so there was no need for crime, police or prisons.
The height of this period of enlightenment
showed a picture
bold and vivid.
In cosmic courtship
the Yellow and Blue solar centers
produced green swollen members.
The Blue sun sent solar tremors
when it started to shimmer brighter and bigger,
twenty two times the size of the original.
The entire heavens beckoned to the blinding spectacle until suddenly the temporary blindness became questionable. Eyes pressed closed to the sound of doom definitely deafening in three-directional zones.
Shortly after the ultra blue surge shattered into shiny shrapnel, pupils peaked thru the pieces in search for the unusual signals until they saw that the Blue sun appeared invisible.
Where did it go?
Only the heavens know.
Out of the blue,
the sad sky stared at the surviving sun
that seemed wounded by the episode.
Priests in religious robes blessed the souls,
while the rest of the globe guessed about extraterrestrials,
unknown X and O's adding stress in loads.
Surely, slowly aging stars eventually explode.
from
The Looma (part 1/5),
released October 31, 2019
The Looma credits:
Story written by: Nahshid Sulaiman aka One Be Lo aka OneManArmy
Narration: General Subliminal aka OneManArmy
Beat production and fx: OneManArmy (Trackezoids, Autocons)
Audio Recording and Mixing: MVG (Autocons) in multiple cities.
Mastering: ConductorWilliams
Illustrations: Naim ibn Nahshid
Constellation and Map illustrations: Savera Iftikhar and Nahshid Sulaiman
Typography: Cooper Neil
Cover graphic layout: Cooper Neilory written by: Nahshid Sulaiman aka One Be Lo aka OneManArmy
Narration: General Subliminal aka OneManArmy
Beat production and fx: OneManArmy (Trackezoids, Autocons)
Audio Recording and Mixing: MVG (Autocons) in multiple cities.
Mastering: ConductorWilliams
Illustrations: Naim ibn Nahshid
Constellation and Map illustrations: Savera Iftikhar and Nahshid Sulaiman
Typography: Cooper Neil
Cover graphic layout: Cooper Neil